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Pearson uses appropriate physical, administrative and technical security measures to protect personal information from unauthorized access, use and disclosure. The real-world tasks in this comprehensive book are presented in easy-to-follow lessons and are designed to train beginning Adobe InDesign users in the program-from fundamental features to powerful layout and output skills. The online companion files include all the necessary assets for readers to complete the projects featured in each lesson.
All buyers of the book get full access to the Web Edition: A Web-based version of the complete ebook enhanced with video and multiple-choice quizzes. The 15 project-based step-by-step lessons show users the key techniques for working in InDesign. Designers will build a strong foundation of typographic, color, page layout, and document-construction skills that will enable them to produce a broad range of print and digital publications—from a simple postcard to an interactive Adobe PDF with form fields.
The real-world tasks in this comprehensive book are presented in an easy-to-follow, step-by-step format and are designed to train beginning Adobe InDesign users in the program—from fundamental features to powerful layout and output skills.
This book also enables experienced InDesign users to elevate their skills, understand best practices, and learn about new features. Enhancements in this version target usability and productivity, including the ability to browse fonts visually, using Content Aware Fit for intelligent image placement, use Layout Adjust to automatically adjust layout when changing page sizes, and quickly access common controls in the Properties panel.
The real-world tasks in this comprehensive book are presented in an easy-to-follow, step-by-step format and are designed to train beginning Adobe InDesign users in the program-from fundamental features to powerful layout and output skills. The 16 project-based lessons in this book show users step-by-step the key techniques for working in Adobe InDesign. Note the number of pages 3 in the Pages panel. This gives you a clear view of how the text fits and how it looks with the layout.
Here, you will format the entire article with the Body Paragraphs style, and then you will format the opening paragraph and subheads. If necessary, open the Body Text style group folder and scroll to locate the style. Enter 1 in the Page field, and click OK.
Now you will format the six subheads in the article. This targets the paragraph for paragraph formatting. Apply Body Paragraphs No Indent to the paragraph following each subhead as well. Remain on this page for the next exercise. Adjusting columns InDesign provides many methods for adjusting the length of columns of text. You might do this to suit the layout or to keep specific topics together. One way to do this is to resize the text frame with the Selection tool.
Here, you will adjust the size of the text frames to suit the layout. The bottom of page 6 contains a box with a quote from E. Drag the bottom of the frame up to match the height of the text frame at left. Resizing these text frames keeps the article text from obscuring the shaded sidebar box. Drag the bottom of the text frame up so the height of the frame shows 2. Drag the bottom of the frame up to match the height of the text frame at the left. Flowing Text Adjusting vertical spacing InDesign provides several options for customizing and adjusting the vertical spacing of text in a frame.
You can do the following: Set the space between lines of paragraphs using a baseline grid. You can do this using a baseline grid also called a leading grid for the entire document. First, you set up the grid and then you set a paragraph format that aligns paragraphs to the grid. The leading is set to 11 pt 11 points. This option sets the location of the first grid line for the document.
If you use the default value of 0. Flowing Text You can align one paragraph, selected paragraphs, or all the paragraphs in a story to the baseline grid. A story is all the text in a series of threaded text frames. In the following steps, you will use the Paragraph panel to align the main story to the baseline grid. If necessary, choose Show Options from the Paragraph panel menu to see all the options.
Scroll to the right to view a portion of the pasteboard. Zoom in as necessary to see the text. Be sure the top of the new text frame touches the bottom of the existing text frame. Type Peas continued on followed by a space. You can also create a jump line that indicates the page number from which a continued article originated. For example, if you are creating a template for a catalog, you might thread several small text frames for item descriptions and then flow the text later.
Review answers 1 The Selection tool. You can also drag text files from the desktop onto a page. You can also press the left arrow key to decrease the number of threaded text frames. This lesson will take about 45 minutes to complete. A little daily attention will ensure an awesome crop— and a supply of nutritious side dishes and snacks.
Enjoy the fresh air and satisfaction of gardening during the day, and peruse your cookbooks for ideas at night.
Cover peas gradually as they grow. In using dairy dressing, the furrow is opened deep enough to admit putting the manure well below the peas. Of course this deep furrow is not necessary when fertilizers are worked into the soil. In that case, the furrow is opened to a depth of only about four or five inches. In either case, two inches of earth is drawn over the peas when first planted, and this leaves another inch or two of earth to draw about them after they have grown five or six inches high.
Thinning Out. When the peas are up an inch or so, it is time to thin them out. Crowding is responsible for many poor crops of peas. Thin out the dwarf peas so that they stand about an inch apart, and the tall ones so that they stand about an inch and a half apart. Pull out the weaker sprouts first. TIP: It may take some courage to thin them out, but it pays in the end.
Protection from Blackbirds. Blackbirds are fond of pea vines when they are young and tender. Sometimes they will nip off the sprouts and spoil a long row in one early breakfast.
A white string, stretched above the row, with white rags tied here and there, will usually keep them away. Small flags, made by tying a strip of white cotton cloth to a stick will serve well also. TIP: If there are many blackbirds about, it is a wise gardener who takes this easy precaution. It is a little too late after the blackbirds have been there.
Caring for the Vines. The dwarf peas need no further care, except cultivation to keep the earth soft and free from weeds. The blossoms form in about four weeks, and the peas ripen quickly after that.
The season for peas begins early in May, and they are picked in August along the northern belt. Because of its fondness for cool climates and moist earth, the pea is most delicious and profitable in those states where the summer days are not extremely hot.
Picking Peas. It does not pay to pick peas before they are fairly well peas filled out, as they are wasted in that way. You can soon learn to tell, by a gentle pressure of the thumb near the lower end of the pod, whether the peas are large enough to pick. On the other hand, it is unwise to leave them on the vines to dry, as that will tend to check the growth of the peas forming at the top of the vine.
In taking the pod from the vines, be careful to use both hands. Hold the vine with one hand just above the pea, to save the tender branches from being torn. TIP: Remember the new peas which are coming above those you are picking, and give them a free chance to mature. Follow Crops. As soon as the crop of peas is harvested, pull out the vines, put away the supports you wish to save for the next season, and dig over the ground for a crop of something else.
Bush string beans, turnips, cabbage, winter beets, lettuce, and other quick growing plants may be put in the same rows. These include importing a Microsoft Word file containing an article and using the editorial features in InDesign to search and replace text and formatting, check spelling, enter and track text changes, and more.
In that case, you may apply a different font, such as Myriad Regular, to this headline. If you are working on a slower computer, you can leave the display at Typical Display or even gray out the images with Fast Display. Entering and importing text You can enter text directly into your InDesign documents, and you can import text prepared in other applications, such as word-processing software. To type text, you need to use the Type tool and select a text frame, text path, or table cell.
Entering text Generally, graphic designers are not responsible for the text in all their layouts, but they are often asked to enter edits from a marked-up hard copy or Adobe PDF. In this exercise, you will use the Type tool to revise the headline. The text frames are outlined in gold so that you can see them. Importing text When working with a template for a project such as a magazine, designers generally import article text into existing text frames. In this exercise, you will import a Microsoft Word file and apply body-copy formatting to it.
In the lower-left corner of the Place dialog box, make sure Show Import Options is not selected. If the Missing Fonts dialog box displays, click Close to dismiss it. You will apply a different font through a paragraph style. The text flows from column to column, filling the first two columns and part of the third. In the Text Style area, click the Paragraph Styles tab. Click the menu below and select the Body Paragraph style.
You can then click in text frames or on the page to import the text from each file. This works well with content such as long captions that are saved in different text files. Now that you have changed the formatting, the story may no longer fit. Later, you will use the Story Editor to resolve this. Finding and changing text and formatting Like most popular word-processing software, InDesign lets you search and replace text and formatting.
Often while graphic designers are working on layouts, the copy is still being revised. Press Tab to navigate to the Change To box. Type blackbird. For example, clicking the Whole Word icon ensures that instances of the Find What text within another word will not be found or changed. Depending on how often this effect is used, you might create a character style that specifies All Caps and the purple color.
This displays the Change Format Settings dialog box. Notice the alert icon that appears above the Change To box. This icon indicates that InDesign will change the found text to the specified formatting.
You can check the spelling in selected text, an entire story, all the stories in a document, or all the stories in several open documents at once. In addition, you can have InDesign flag possible spelling issues and correct spelling as you type. Many editors prefer to check spelling themselves. If you relaunch InDesign, words that were previously ignored will be flagged again during the next spell check.
In this case, we suspect the newly imported story may be a little sloppy, so you will check the spelling now. The spell check starts automatically. Simply experiment with the various Check Spelling options to get familiar with them.
Adding words to a document-specific dictionary With InDesign, you can add words to your user dictionary or to a document-specific dictionary. If you work with multiple clients who may have different spelling preferences, for example, it is better to add words to a document-specific dictionary.
Enabling dynamic spelling allows you to see misspelled words in text. Words that may be misspelled according to the default user dictionary are now underlined. With Autocorrect activated, InDesign automatically corrects misspelled words as you type them.
Changes are made based on an internal list of commonly misspelled words. You can add other commonly misspelled words, including words in other languages, to this list if you like. By default, the list of commonly misspelled words is for English: USA. You will prevent this mistake by adding the misspelling and correct spelling to the Autocorrect list. This option lets you drag and drop text in Layout view in addition to the Story Editor. Adjust the zoom level as necessary so that you can read the subhead text.
Using the Story Editor If you need to enter many text edits, rewrite a story, or cut a story, you can isolate the text with the Story Editor. Any graphics and other nontext elements are omitted to make editing easier. After you delete a sentence in the Story Editor, the story will fit. Position the Story Editor window next to the far-right column on the spread. Note the red vertical line that indicates the overset text.
Leave the Story Editor open for the next set of steps. In addition, reviewers may suggest changes that another user can accept or reject. As with a word-processing program, you can track text that is added, deleted, or moved using the Story Editor.
You will change one of the pea recipes listed. Notice how the changes are marked in the Story Editor window. The panel menus provide access to many of the controls.
Exploring on your own 1 Using the Type tool , add subheads to the story and format them with options in the Control panel. Click the icon next to the Find What box to search for special characters such as em dashes. See how the different changes are marked, and experiment with accepting and rejecting the changes.
Fonts are activated on your system and accessed via applications to format text. Many applications do provide a basic suite of fonts, but in higher-end graphic design you will need access to a significant font library. Fortunately, Creative Cloud members have access to thousands of already licensed fonts at no extra charge. When you open a document, any missing fonts available in the Adobe Fonts service are automatically activated—provided that your computer is connected to the Internet and logged in to Creative Cloud.
To explore fonts available through Adobe Fonts, visit fonts. If you open a document that uses a font that is not available in the Adobe Fonts service, the Missing Fonts dialog box displays.
You can use this dialog box to see how the font is used and decide if you want to replace it with another font. Therefore, if you receive a document and do not have the font, you should attempt to acquire it through the vendor. Once you have the font, you can use font management software to activate it or you can add the font to your InDesign Fonts folder.
Editing Text Review questions 1 Which tool lets you edit text? How can you ensure these words are not flagged as misspelled every time you check spelling? Review answers 1 The Type tool allows you to edit text. Fruit that can boost your immunity, lower your cholesterol, protect your vision, prevent cancer and wrinkles!
Vitamin C and vitamin K? Check, check. And on top of all that, strawberries are easy to grow. Plant your strawberries in the full sun, 12 to 18 inches apart. Cover the roots, keep the central growing bud at soil level, and use a balanced fertilizer.
In the spring, add compost and fertilizer, and then in fall mulch with straw. As your strawberries grow, keep them moist and weeded. As strawberries begin to ripen, cover them with lightweight netting to keep the birds at bay. Wash before use and enjoy! Your yogurt, pancakes, shortcakes and more are waiting. Wash the strawberries. Calories from Fat. Melt chocolate in the microwave in second bursts; stir in between.
Dip the strawberries in the chocolate, and then in the sprinkles. Place on wax paper to set, about 30 minutes. For the rich look of the magazine, the typography includes precision formatting and spacing along with decorative touches. If you open the final InDesign document now, the necessary fonts will be activated and it will be difficult to learn how to activate fonts later in the lesson. You can use the character-formatting controls and paragraph-formatting controls in the Properties panel, or you can use the Character panel and Paragraph panel.
Leave these panels open until you finish this lesson. Paragraph panel tab into the Character panel tab to create a panel group, if you prefer. Adjusting vertical spacing InDesign provides several options for customizing and adjusting the vertical spacing of text in a frame. Options dialog box to align text within a frame. The amount of space between paragraphs ends up being the sum of the space after one paragraph and the space before the next paragraph.
A full paragraph return is often too much space, and it can end up at the top of a page or column, leaving undesirable space. This adds. The text will overset the frame, but this will be resolved later with the addition of columns. Working with Typography Working with fonts, type styles, and glyphs Changing the fonts and type styles of text can make a dramatic difference in the appearance of your document. InDesign automatically installs a few fonts, and Creative Pro members have access to thousands of already licensed fonts at no extra charge through Adobe Fonts.
Once a font is installed, you can apply it to text and change its size, select a style such as bold or italic , and more. In addition, you can access all the glyphs every form of each character in the font. If the font is already installed on your system, follow the steps to see how you can add another font.
You can activate the entire family or an individual style within the font. Glyphs are representations of characters within a font.
OpenType fonts can contain many more characters and glyph alternates than other font formats. This format provides convenient slider controls for adjusting weight, width, slant, optical size, and more.
For more information on OpenType fonts, visit www. To select the entire paragraph, quadruple-click click four times rapidly. Notice that Swash is already selected, indicating that some glyphs have already been replaced with more ornate glyphs.
Y in Adobe Caslon Pro. Select Swash from the OpenType menu again to reactivate the feature. Designers will build a strong foundation of typographic, page layout, and document-construction skills that will enable them to produce a broad range of print and digital publications—from a simple postcard to an interactive Adobe PDF with form fields.
The real-world tasks in this comprehensive book are presented in an easy-to-follow, step-by-step format and are designed to train beginning Adobe InDesign users in the program—from fundamental features to powerful layout and output skills. This book will also help experienced InDesign users elevate their skills, understand best practices, and learn about new features.
The online companion files include all the necessary assets for readers to complete the projects featured in each lesson as well as ebook updates when Adobe releases relevant new features for Creative Cloud customers. All buyers of the book get full access to the Web Edition: a Web-based version of the complete ebook enhanced with video and multiple-choice quizzes.
Designers will build a strong foundation of typographic, page layout, and document-construction skills that will enable them to produce a broad range of print and digital publications--from a simple postcard to an interactive Adobe PDF with form fields.
The real-world tasks in this comprehensive book are presented in an easy-to-follow, step-by-step format and are designed to train beginning Adobe InDesign users in the program--from fundamental features to powerful layout and output skills. The 16 project-based lessons in this book show users step-by-step the key techniques for working in InDesign. Designers will build a strong foundation of typographic, page layout, and document-construction skills that will enable them to produce a broad range of print and digital publications-from a simple postcard to an interactive Adobe PDF with form fields.
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